Frances, the heroine of The Fire Portrait, loved to paint the plants of her native England. But when she settles in the Karoo semi-desert, she is faced by a totally different challenge. The scrubby bush is hard and dry and seemingly devoid of colour. It's only when she begins to look more closely that she finds unknown bulbs that flower fleetingly, aloes that put up spikes of brilliant orange in the winter, and strange pebble-like succulents that are easy to miss beneath your feet. They require different colours from those she has used for the gentle landscape of her childhood.
Understanding these plants was a challenge for me as well! I knew the magnificent flora of Cape Town and environs, but the cryptic Karoo needed research. I spent time in the Karoo Desert National Botanical Gardens in Worcester among their selection of plants that Frances would have encountered in the fictional hamlet of Aloe Glen, situated just further north. As she discovers, the land doesn't bloom easily.
"It's a harsh beauty. It only rewards grit. And persistence."
Aloe Glen's rural community requires grit and persistence, too, as Frances attempts to integrate. But she does persist, and ultimately finds a tentative belonging, like the plants that have made their home in the stark environment. But it's never easy...
"This place will always unsettle me. Draw me in and then push me away..."
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